{"title":"«On voudrait y être» : le regard modeste du peintre. L’image, sa fabrique et son appropriation dans les Dialogues des morts (LII et LIII) de Fénelon","authors":"Alain Brunn","doi":"10.3406/gadge.2016.1177","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":146721,"journal":{"name":"Cahiers du GADGES","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cahiers du GADGES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3406/gadge.2016.1177","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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