Temporality and Universalism in the Contemporary Ethnographic Museum: Two Collection Presentations at the Tropenmuseum

Luuk Vulkers
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Abstract

The Tropenmuseum in Amsterdam is currently in a process of making innovative changes to its displays. The museum aims to critically engage with its own past and simultaneously be an inclusive platform for reimagining the future. Especially for an ethnographic institution like the Tropenmuseum, these are complex tasks. The museum was founded in 1864 as the Koloniaal Museum (Colonial Museum) in Haarlem. In the first half of the twentieth century, the institute’s main purpose became to collect, categorize, and display products and cultures from the colonies, establishing a Dutch national identity and expressing cultural dominance and superiority over the country’s colonies. These colonial foundations still manifest themselves in the institute’s collection, as well as in the imposing architecture of the building that has housed the museum since 1923, determining the institute’s conditions of existence in the present.
当代民族志博物馆的时间性与普遍性:特罗彭博物馆的两场藏品展示
阿姆斯特丹的Tropenmuseum目前正在对其展示进行创新改造。该博物馆旨在批判性地参与自己的过去,同时成为一个重新构想未来的包容性平台。特别是对于像Tropenmuseum这样的民族志机构来说,这些都是复杂的任务。该博物馆成立于1864年,当时是哈勒姆的Koloniaal博物馆(殖民博物馆)。在20世纪上半叶,该研究所的主要目的变成了收集、分类和展示来自殖民地的产品和文化,建立荷兰的民族认同,表达对该国殖民地的文化优势和优越性。这些殖民时期的基础仍然体现在研究所的收藏中,以及自1923年以来一直安置博物馆的建筑的宏伟建筑中,决定了研究所目前的存在条件。
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