Encyclopaedism

F. Meier
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Abstract

At the beginning of the 1990s, the issue of whether and to what extent medieval encyclopaedias may have had an impact on Dante’s works seems to have been settled by Zygmunt Barański and Cesare Vasoli. Differently to their skeptical viewpoint, this chapter pleads for a reconsideration of the question by taking into account the results that almost thirty years of research on medieval encyclopaedias, their genres, their evolution, and the array of styles have brought to the fore. On the basis of this much more differentiated picture of how encyclopaedic writings organize knowledge, the chapter emphasizes the extent to which Dante’s Convivio may be placed within the range of experimental encyclopaedic forms that cropped up in the aftermath of Vincent of Beauvais’s Speculum. At the end, the chapter addresses encyclopaedic aspects in the Commedia.
Encyclopaedism
在20世纪90年代初,关于中世纪百科全书是否以及在多大程度上影响了但丁的作品的问题似乎已经由Zygmunt Barański和Cesare Vasoli解决了。与他们持怀疑态度的观点不同,本章通过考虑近三十年对中世纪百科全书的研究结果,他们的体裁,他们的演变,以及风格的阵列,恳求重新考虑这个问题。在这种百科全书式著作如何组织知识的不同图景的基础上,这一章强调了但丁的《相逢》在多大程度上可能被置于博韦的文森特的《投机论》之后出现的实验性百科全书形式的范围内。最后,本章讨论了这部喜剧的百科全书式的方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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