Pottery and glass sherd-tools from Roman and Byzantine workshops at the Gerasa hippodrome and other sites. A reappraisal of earlier findings

I. Kehrberg
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引用次数: 1

Abstract

Byzantine city, a fully urbanised society, resort to such basic and in many eyes ‘outdated’ tools, reminiscent of prehistoric cultures and an altogether different life style? However, the consistent recovery of quantities and varieties of these tools from our excavations of the Roman circus, its workshops and simple dwellings substantiated the fact of their existence and indeed regular occurrence, the study of which I first published in 1992 (Kehrberg 1992)2. It suffices here to mention that I have worked for over 30 years at Jarash. I identified sherd-tools in a variety of assemblages at several sites in and around Jarash whose archaeological data I have been in charge of studying: the corpi now span find-contexts from Late Hellenistic to Islamic townships3. That is to say I retrieved these tools from a dispersed area of excavations, and not only a specific concentration like the workshops at the hippodrome. The latter concentration led me to advocate a specific association in a second brief publication updating my findings (Kehrberg 1995), in which a direct association of the tools with the workshops was demonstrated. Views at FIG. 1 expose the hippodrome Research Background and Find Contexts Before discussing the hippodrome sherdtools I would like to recap some vital information about the Jarash hippodrome and its structural history, the excavation of which led to my discovery and classification of this group of artefacts. There are many signatures one may assign to a site or town from chronological and cultural or civic developmental aspects, Classical-periods sites like Decapolis cities being mostly equated with their imposing architectural remains. In the case of Roman Gerasa and Jarash of the late Antiquity, this association has arisen from two centuries of exploration focusing on exposures of the monumental ruins and their anastyloses. Some of the monuments have been explored, excavated and studied over many years and in great detail by teams of architects and archaeologists from independent institutes as well as the Department of Antiquities, the hippodrome project having been one example1. My identification of pottery and glass sherdtools and assertion of their manufacture in these ancient urban settings were initially met with some incredulity. How could a Roman Dr Ina Kehrberg Dept of Archaeology / A14 The University of Sydney NSW 2006, Australia Email: ina.kehrberg-ostrasz@sydney.edu.au Ina Kehrberg
陶器和玻璃碎片-工具从罗马和拜占庭车间在格拉萨竞技场和其他地点。对早期发现的重新评估
拜占庭城市,一个完全城市化的社会,诉诸于这些基本的,在许多人看来“过时”的工具,让人想起史前文化和完全不同的生活方式?然而,从我们对罗马马戏团、作坊和简单住宅的挖掘中,这些工具的数量和种类不断恢复,证实了它们的存在和确实经常发生的事实,我在1992年首次发表了这项研究(Kehrberg 1992)2。我在贾拉什工作了30多年。我在贾拉什及其周边的几个遗址中发现了各种各样的碎片工具,我一直负责研究这些遗址的考古数据:这些碎片工具现在涵盖了从晚期希腊到伊斯兰城镇的各种发现背景。也就是说,我是从一个分散的挖掘区域中找到这些工具的,而不是像竞技场的作坊那样集中在一个特定的地方。后一种关注使我在第二篇简短的出版物中主张一种特定的关联,更新了我的发现(Kehrberg 1995),其中证明了工具与讲习班的直接关联。在讨论综合征碎片工具之前,我想回顾一下关于贾拉什综合征及其结构历史的一些重要信息,这些信息的挖掘导致了我对这组人工制品的发现和分类。从时间、文化或城市发展的角度来看,人们可以给一个地点或城镇赋予许多特征,像Decapolis城市这样的古典时期遗址大多与它们雄伟的建筑遗迹等同起来。在古代晚期的罗马格拉萨和贾拉什的案例中,这种联系源于两个世纪以来的探索,重点是对纪念性遗址的暴露和它们的吻合。来自独立研究机构和古物部的建筑师和考古学家团队对其中一些遗迹进行了多年的探索、挖掘和详细研究,竞技场项目就是一个例子。我对陶器和玻璃碎片工具的识别,以及它们在这些古代城市环境中制造的断言,最初遭到了一些怀疑。罗马人是怎么做到的?伊娜·克尔伯格博士考古系/ A14新南威尔士州悉尼大学2006,澳大利亚电子邮件:ina.kehrberg-ostrasz@sydney.edu.au伊娜·克尔伯格
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