In Quest of Robin Hood

R. E. Morsberger
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引用次数: 2

Abstract

The line between fact and fiction is dimly drawn in folk literature, but most legends seem to have origins, however faint and elusive, in history. There was a war at Troy; Charlemagne did leave a small force to fight a rear action at Roncevalles; and Beowulfs uncle Hygelac was killed in a fight recorded by Gregory of Tours. In England, King Arthur may have been one Artorius, a leader in resisting Saxon invasions. But Arthur was largely the property of the Norman aristocracy; the common folk had their own hero in Robin Hood. Did he also play a role in history, or is he merely the creation of popular imagination? The existing Robin Hood literature is contained in many ballads, some dating from the fifteenth century but many found in texts not older than the sixteenth or seventeenth centuries. There is also a popular epic, The Gest of Robin Hood, dating from about 1500 but compiled from older ballads. Like most ballads, this literature is highly unstable and unreliable in recording historical events, though it reveals certain historical attitudes and experiences. This unreliability has caused some scholars to conclude that Robin Hood never existed. Francis James Child, the great ballad editor of the nineteenth century, said, "Robin Hood is absolutely a creation of the ballad-muse."1 Other critics look to more exotic sources and try to establish Robin as a creature of mythology who was later humanized by the ballads. Such mythological theories relate the outlaw to geographical names and features, suggesting that he was a forest deity, a wood or water sprite, a pagan lord of springtime, the Aryan sun god, the blind archer Hödr who slew Balder, or even a degraded form of Odin. Developed in detail, such interpretations are ingenious but strain credulity. The question still remains as to whether Robin Hood was historical or merely a fictitious representative of the outlaw classes that dwelt in the forests of medieval England. Scott's Ivanhoe and the derring-do of Douglas Fairbanks, Errol Flynn, and more recent motion picture Robins have popularized the belief that Robin Hood was a patriotic outlawed nobleman who flourished during the reign of Richard I and helped the Lion Heart to regain his sovereignty, usurped by his wicked brother John during the Third Crusade. This does make the best story, and there are persuasive arguments in its favor, but they are inconclusive. Many scholars place Robin later in history, putting
《侠盗罗宾汉
在民间文学中,事实和虚构之间的界限是模糊的,但大多数传说似乎都有历史的起源,无论多么模糊和难以捉摸。特洛伊爆发了一场战争;查理曼的确留下了一支小部队在朗塞瓦勒斯后方作战;而贝奥武甫的叔叔海格拉克在图尔的格列高利记录的一场战斗中被杀。在英格兰,亚瑟王可能是一个阿托里乌斯,一个抵抗撒克逊入侵的领袖。但亚瑟王主要是诺曼贵族的财产;老百姓有他们自己的英雄罗宾汉。他是否也在历史上发挥了作用,或者他仅仅是大众想象的产物?现存的罗宾汉文学包含在许多歌谣中,一些可以追溯到15世纪,但许多发现在不超过16或17世纪的文本中。还有一部脍炙人口的史诗《罗宾汉之歌》(The Gest of Robin Hood),可以追溯到1500年左右,但它是根据更古老的民谣改编而成的。与大多数民谣一样,这种文学在记录历史事件方面极不稳定,也不可靠,尽管它揭示了一定的历史态度和经验。这种不可靠性使得一些学者得出罗宾汉从未存在过的结论。19世纪伟大的民谣编辑弗朗西斯·詹姆斯·查尔德(Francis James Child)说:“罗宾汉绝对是民谣缪斯的杰作。”另一些评论家则着眼于更多的外来来源,并试图将罗宾塑造成一个神话人物,后来被歌谣赋予了人性。这些神话理论将亡命之徒与地理名称和特征联系起来,表明他是一个森林之神,一个森林或水的精灵,一个异教徒的春天之神,雅利安人的太阳神,杀死巴尔德的盲人弓箭手Hödr,甚至是奥丁的一个退化形式。详细地说,这样的解释是巧妙的,但容易让人轻信。罗宾汉究竟是历史人物,还是中世纪英格兰森林里的不法阶级虚构的代表人物,这个问题仍然存在。斯科特的《艾芬豪》、道格拉斯·费尔班克斯、埃罗·弗林以及最近的电影《罗宾斯》让人们普遍相信,罗宾汉是一个爱国的非法贵族,在理查一世统治期间繁荣昌盛,并帮助狮心军团夺回了在第三次十字军东征期间被他邪恶的兄弟约翰篡夺的主权。这确实是最好的故事,也有一些有说服力的论点支持它,但它们是不确定的。许多学者把罗宾放在历史的后期
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