Triangulating Trans Tidalectics: Decolonizing gendered Embodiment in Chantal Spitz'S "Joséphine"

Eric J. Disbro
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引用次数: 1

Abstract

Abstract:This article proposes a close reading of Chantal T. Spitz's short story "Joséphine" in tandem with an engagement with Polynesian orality and tattooing as both metaphors for bodily inscription and as integral to the socially-determined process of gendered identity formation. The author demonstrates how Mā'ohi non-binary gender embodiment is inherently relational and draws upon long histories of oral storytelling and cultural traditions of triangulation. These relational practices of narration, voice, and movement provide counternarratives to Western biomedical utilitarian theories of gender transition. In the short story, Western definitions of gender transition/reassignment and Mā'ohi notions of socially-determined and locally-rooted constellations of gendered self-actualization act simultaneously on the site of the protagonist's gendered body. By adapting Kamau Brathwaite's concept of tidalectics, the author suggests that these influences come together in aqueous rhythm in a "trans tidalectics" that disrupt the telos at the heart of Western gender transition, often historically determined by medical or surgical intervention.
三角化的跨潮汐政治学:Chantal Spitz的《jossamphine》中的非殖民化性别化体现
摘要:本文拟对尚塔尔·t·斯皮茨的短篇小说《jossamphine》进行细读,并结合波利尼西亚人的口头表达和纹身作为身体铭文的隐喻,以及社会决定的性别认同形成过程的组成部分。作者展示了mha 'ohi非二元性别体现是如何内在地联系在一起的,并借鉴了口述故事的悠久历史和三角测量的文化传统。这些叙述、声音和动作的相关实践为西方生物医学功利主义的性别转换理论提供了反叙事。在短篇小说中,西方对性别转换/再分配的定义和mha 'ohi关于社会决定的和根植于当地的性别自我实现星座的概念同时作用于主人公的性别化身体。通过改编Kamau Brathwaite的潮汐学概念,作者认为这些影响以水的节奏在“跨潮汐学”中聚集在一起,破坏了西方性别转变的核心,通常在历史上由医疗或手术干预决定。
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