ON THE NA’T GHAZALS OF ABDURAHMAN JAMI AND ALISHER NAVAI

Karomat Mullakhujayeva
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Abstract

The article deals with a comparative study of na’t ghazals of the great figures of the Persian and Turkic poetry – Abdurahman Jami and Alisher Navois’ Devans. The ghasals play an important role for the evaluation of the XV century’s religious-philosophical and artistic thinking. In Alisher Navoi's ‘Khazoyin ul-maoni’, which consists of four devan and n’at ghazals of A. Jami’s three devans, which deals with the subject-matters about Muhammad (s.a.v)’s lifestyle, khadises, miracles sent to him and his role in the life of a human being have been stated. Author analyzes the na’ts by both poets’ ghazals, in particular the subject of the artistic knowledge of several images and concepts: Mecca, Batho, Ka'ba, Medina, Yasrib, Zamzam, Prophethood, Adam, Khatam al-Anbiya, Hadisand others. According to the placement of na’t ghazals of A. Navai’s devan, the author emphasizes that they have a stable arrangement in the composition of devons, unlike of A. Jami’s ghazals, which is linked with ‘Shawahid un- Nubuwat’, the life-style of the Prophet Muhammad.
本文对波斯和突厥诗歌的两位伟大人物——阿卜杜拉赫曼·雅米和阿利舍尔·纳沃伊斯的《德凡斯》进行了对比研究。在评价十五世纪的宗教哲学思想和艺术思想方面,迦萨勒起着重要的作用。在Alisher Navoi的“Khazoyin ul-maoni”中,它由四个devan和a. Jami的三个devan中的n ' at ghazal组成,其中涉及穆罕默德(s.a.v)的生活方式,khadises,送给他的奇迹以及他在人类生活中的作用。作者分析了两位诗人的诗,特别是几个意象和概念的艺术知识主题:麦加,巴托,克尔巴,麦地那,亚斯里布,赞扎姆,先知,亚当,哈塔姆·安比亚,哈迪等。根据a . Navai的devan的na ' t ghazals的位置,作者强调它们在devons的组成中有一个稳定的安排,不像a . Jami的ghazals,它与先知穆罕默德的生活方式“Shawahid un- Nubuwat”有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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