Harlem

Abstract

This chapter explores the emergence of Harlem as a center of jazz activity in the 1930s. It looks at the distinctive stride piano style that was popular in Harlem, and the work of pianists Fats Waller, James P. Johnson, Art Tatum, and others. The divide between the so-called Harlem Renaissance and the popular jazz culture of the day is discussed, as well as important local practices such as the “rent party.” The rise of Duke Ellington and his role as bandleader at Harlem’s Cotton Club is examined in this context.