Urban Street Architecture, the K67 Kiosk: a Single Solution for All Problems

Marta Rendla
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Abstract

In the following contribution, the author presents the complex development and evolution of the universally and modularly designed K67 Kiosk – the famous red booth by the Slovenian architect and industrial designer Saša Janez Mächtig – from its conception in the second half of the 1960s through its upgrades and specialisation in the 1970s to today’s modernisation as an interactive self-service multipurpose kiosk for the twenty-first century, the K21. The K67 Kiosk – a product of urban street industrial design architecture – was created under the influence of the architectural trends at the time and due to the growing needs of the city and the development of urban service activities. The miniature street architecture, which used to house newspaper, tobacco, and food shops, small workshops, flower shops, parking and ticket booths, information and tourist offices, gatehouses, etc., became a part of the general urban culture of the former Yugoslav territory, the urban space of former Eastern European socialist countries, the collective consciousness and memory, as well as a cult product.
城市街道建筑,K67亭:所有问题的单一解决方案
在接下来的贡献中,作者介绍了K67亭的复杂发展和演变,K67亭是斯洛文尼亚建筑师和工业设计师Saša Janez Mächtig设计的著名红色亭,从20世纪60年代下半叶的概念,到20世纪70年代的升级和专业化,再到今天的现代化,成为21世纪的交互式自助多功能亭K21。K67 Kiosk是城市街道工业设计建筑的产物,是在当时建筑趋势的影响下,由于城市日益增长的需求和城市服务活动的发展而产生的。微型街道建筑,曾经容纳报纸、烟草和食品商店、小作坊、花店、停车和售票亭、信息和旅游办公室、门楼等,成为前南斯拉夫领土一般城市文化的一部分,前东欧社会主义国家的城市空间,集体意识和记忆的一部分,也是一种邪教产品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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