Methods for selecting 『Catholic Chant』 by analyzing the Communion Antiphons for Lent in 『Graduale Triplex』

Jeong-soon Lee
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Abstract

Mass in the Catholic Church consists of the Liturgy of the Word and the Liturgy of the Eucharist. The Communion Antiphon is a song that is sung while receiving Communion, the most important moment in the Eucharistic liturgy. The proper text of the Communion Antiphon reminds us of the key words of the Liturgy of the Word that day. However, at present, the proper text of the Communion Antiphon remains as a sentence, and instead, the Communion song for common times is sung. The limited classification of hymnals and the standardized selection of songs made songs with proper texts hidden. The purpose of this study is to actively help believers sing joyfully, reflecting on the message of the Word of the day by selecting a chant suitable for the proper text of the Communion Antiphon in the liturgy of the Mass. The scope of the study is the proper text of the Communion Antiphon during Lent. The research method is to analyze and utilize the sources of the 11 Communion Antiphons of the Gregorian chant in the 『Graduale Triplex』 and select appropriate songs from the 『Catholic Chant』. Among 『Catholic chant』, 8 songs that matched the proper text were selected. In addition, 15 related songs were selected, such as the lyrics of the proper text, the same liturgical meaning, and the words of the psalms in the Communion. The sources of the Communion Antiphons during Lent are 9 Gospels and 2 Psalms. Looking at the source of the word until the time of resurrection, 1 first reading and 2 second readings are included. The organic relationship between the various sources of the proper text and the liturgical text gave elasticity to the scope of application. One of the four new proper text was changed from the psalms to the gospel, and three songs were changed within the gospel, all of which developed into more specific and active gospel messages. As a result of the research, there were far more songs suitable for the proper text than expected. The richness of the Catholic Hymnal, which was made with the devotion of many people over a long period of time, was revealed. In order to further reveal the true value of Catholic hymnal, it is necessary to supplement the classification of hymnal and the information on the sources of words in more detail. In addition, if we refrain from a uniform selection of songs and select songs based on liturgical texts, the light of the Word and the joy of praise will be doubled. This is because the essence of liturgical chant lies in the Words and prayers. Therefore, the meticulous use of Catholic hymnal is a way to faithfully follow both the spirit of the , which is entirely centered on the Word, and the , which focuses on congregational praise. As a follow-up work, I plan to select songs that make use of the proper text of the Communion Antiphons of all liturgical seasons. It is hoped that this study will awaken the importance of the proper text and selection of the Communion Antiphon, and that the proper texts of the Communion Antiphon, which are not found in the Catholic hymnal, will be born as an easy and gracious chant for the congregation.
从《渐进式三联曲》中四旬斋圣餐唱段分析“天主教圣歌”的选择方法
天主教会的弥撒由圣言礼仪和圣餐礼仪组成。圣体对唱是在领受圣体时唱的歌,这是圣体礼仪中最重要的时刻。圣体颂歌的正确文本提醒我们当天圣言礼仪的关键词。然而,目前,圣餐颂歌的适当文本仍然是一个句子,而不是吟唱圣餐颂歌。赞美诗分类的有限性和选曲的规范化,使得歌曲中隐藏着合适的文本。这项研究的目的是积极地帮助信徒喜乐地歌唱,通过在弥撒礼仪中选择适合圣餐颂歌的适当文本来反思当天的圣言信息。研究的范围是四旬斋期间圣餐颂歌的适当文本。研究方法是分析和利用“渐进式三重唱”中格列高利圣咏的11首圣餐对唱的来源,并从“天主教圣咏”中选择合适的歌曲。在“天主教圣歌”中,选择了8首与适当文本相匹配的歌曲。此外,还选择了适当文本的歌词、相同的礼仪意义、圣餐中诗篇的歌词等15首相关歌曲。大斋节期间的圣餐颂歌的来源是9部福音书和2篇诗篇。在耶稣复活之前,要看圣经的来源,包括第一篇和第二篇。适当文本的各种来源与礼仪文本之间的有机关系使其适用范围具有弹性。四篇新经文中的一篇从《诗篇》改为《福音书》,三首歌在《福音书》中被修改,所有这些都发展成为更具体和更活跃的福音信息。研究的结果是,适合适当文本的歌曲远远超过预期。《天主教赞美诗》的丰富性是在许多人的长期奉献下完成的。为了进一步揭示天主教赞美诗的真正价值,有必要对赞美诗的分类和词源信息进行更详细的补充。此外,如果我们避免统一的歌曲选择,并根据礼仪文本选择歌曲,圣言的光和赞美的喜悦将加倍。这是因为圣咏的本质在于圣言和祈祷。因此,细致地使用天主教赞美诗是忠实地遵循精神的一种方式,完全以圣言为中心的精神,以及专注于会众赞美的精神。作为后续工作,我计划选择使用所有礼仪季节的圣餐颂歌的适当文本的歌曲。希望这项研究能够唤醒正确文本和选择圣餐颂歌的重要性,并且圣餐颂歌的正确文本,在天主教赞美诗中找不到,将作为会众轻松而亲切的颂歌而诞生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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