Meaning construal through multimodal clusters in the theatrical discourse

Abstract

The paper presents the results of an empirical study of monomodal and multimodal data collected from the plays by Russian playwrights of the second half of the 20th century (A. Vampilov, A. Kazantsev, N. Sadur) and the theatrical performances based on these plays. The main aim is to find out what semiotic modalities are more frequently involved in the process of recurrent semiosis and, as such, in the multimodal meaning construal. Following the classical as well as contemporary works in the field explored, the research sets out to elaborate the cognitive-semiotic approach to the analysis of the theatre-specific means of multimodal meaning construal to get insights into dynamicity, embodiment and figurativity of artistic expression typical of theatrical performativity and inaccessible to other arts. The data are explored by means of a complex methodology that comprises quantitative and qualitative methods with the diagraph analysis as a key analytical tool which serves to recognize meaningful correlations within and across modalities resulting from mappings between dialogically juxtaposed independent utterances. This paper demonstrates that the involvement of nonverbal resources is mainly manifested in the use of hand and head gestures, facial movements and body repositioning. Next to the quantitative results, the research shows that co-occurring conceptualizations through verbal and nonverbal components, gestures in particular, can trigger off the amplification of meaning or bring about the emergence of new conceptual projections.