{"title":"‘My astrological friend’","authors":"P. Cheshire","doi":"10.3828/liverpool/9781786941206.003.0005","DOIUrl":null,"url":null,"abstract":"Southey’s poem Joan of Arc, published at the end of 1795, had, in Joan, a female saviour divinely inspired to be an instrument of change. Southey’s Joan has common elements with Elmira, the female saviour figure in The Hurricane. Both are millennialist poems showing how spiritual agencies intervene in history at decisive epochs, and both were intended to reflect and comment on the momentous period their authors were living through. Southey’s friendship with Gilbert is but one instance of his attraction to figures who claimed prophetic power or divine inspiration. This chapter also argues that Southey was in the vanguard of the ‘One Life’ poetic movement that celebrated direct experience of the divine through Nature.","PeriodicalId":395381,"journal":{"name":"William Gilbert and Esoteric Romanticism","volume":"76 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"William Gilbert and Esoteric Romanticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781786941206.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Southey’s poem Joan of Arc, published at the end of 1795, had, in Joan, a female saviour divinely inspired to be an instrument of change. Southey’s Joan has common elements with Elmira, the female saviour figure in The Hurricane. Both are millennialist poems showing how spiritual agencies intervene in history at decisive epochs, and both were intended to reflect and comment on the momentous period their authors were living through. Southey’s friendship with Gilbert is but one instance of his attraction to figures who claimed prophetic power or divine inspiration. This chapter also argues that Southey was in the vanguard of the ‘One Life’ poetic movement that celebrated direct experience of the divine through Nature.