{"title":"The Hogarth Press, a Singular Art Gallery","authors":"Virginie Podvin","doi":"10.3828/liverpool/9781942954569.003.0012","DOIUrl":null,"url":null,"abstract":"This chapter looks at Virginia Woolf's ambiguous relationship with painting. Podvin explores how Woolf uses the techniques of a painter in her novels, including form, colour, light, contrast, framing characters and landscapes, and representing the figure of the painter.","PeriodicalId":402065,"journal":{"name":"Virginia Woolf and the World of Books","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Virginia Woolf and the World of Books","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781942954569.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter looks at Virginia Woolf's ambiguous relationship with painting. Podvin explores how Woolf uses the techniques of a painter in her novels, including form, colour, light, contrast, framing characters and landscapes, and representing the figure of the painter.