Metamodernism: The Phenomenon of Memory as Part of an Architectural Concept

E. Danilova, D. Bakshutova
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Abstract

Metamodernism defines the structure of the feeling of the contemporary epoch characterized by an appeal to all past cultures in order to find the sources of the new. The phenomenon of memory has become again relevant and in demand in architecture discipline. The desire for constant innovation in modernism and postmodern irony were replaced by a serious attitude to any surviving fragments and a desire to materialize the layers of different epochs. The article describes three levels of work with memory in architecture: retrospection, reminiscence, and commemoration. Various objects are considered, architectural and planning concepts are analyzed, therefore architecture is able to visualize genealogy, evoke memories, capture momentous events and artifacts. Such analysis allows drawing conclusions and getting an idea of the spirit of our time and the values of society expressed in the latest architecture.
元现代主义:作为建筑概念一部分的记忆现象
元现代主义定义了当代时代的感觉结构,其特点是呼吁所有过去的文化,以寻找新的来源。记忆现象在建筑学科中再次变得相关和需要。对现代主义和后现代讽刺的不断创新的渴望被对任何幸存的碎片的严肃态度和对不同时代层次的物质化的渴望所取代。这篇文章描述了建筑中三个层次的记忆工作:回顾、回忆和纪念。考虑各种对象,分析建筑和规划概念,因此建筑能够可视化家谱,唤起记忆,捕捉重大事件和文物。这样的分析可以得出结论,并了解我们这个时代的精神和最新建筑所表达的社会价值观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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