Where are the blacks? Deletion, Racialization and Nonconformity in Brazilian

Igor Moraes Simões
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Abstract

The presence of blacks in Brazilian art and the intentional deletion of their presence can be directly related to the processes that have determined their role in society. We are still immersed in a white-oriented art history; thus, our endeavor is to reconsider the words, images, displays and collection storage spaces that reverberate widespread ignorance when raising questions such as: Where are the blacks? We have to ponder over modernities and their reaffi rmations, based on principles echoing mestizaje, myths and ghosts that still haunt possible stories that represent the defi nitive and vast majority of black people in Brazilian society.
黑人在哪里?巴西语的缺失、种族化和不符合
黑人在巴西艺术中的存在和有意删除他们的存在可以直接关系到决定他们在社会中的角色的过程。我们仍然沉浸在以白人为中心的艺术史中;因此,我们的努力是重新考虑那些在提出诸如黑人在哪里这样的问题时引起广泛无知的文字、图像、展示和收藏空间。我们必须思考现代性和它们的重新定义,基于与梅斯蒂扎伊、神话和幽灵相呼应的原则,这些仍然萦绕在可能的故事中,代表了巴西社会中绝大多数黑人的故事。
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