{"title":"Long Live the New Flesh","authors":"B. Stevens","doi":"10.1017/9781316672693.010","DOIUrl":null,"url":null,"abstract":"Brad Stevens celebrates Cronenberg's 1983 \"Videodrome\", a film that keeps mutating into new versions and cuts","PeriodicalId":115698,"journal":{"name":"Duty and the Beast","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Duty and the Beast","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9781316672693.010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Brad Stevens celebrates Cronenberg's 1983 "Videodrome", a film that keeps mutating into new versions and cuts
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