{"title":"Landscape Re-Envisioned","authors":"Simon Wickhamsmith","doi":"10.2307/j.ctv15d809p.7","DOIUrl":null,"url":null,"abstract":"One of the more complex developments in the post-revolutionary period\n was in the Mongolian people’s understanding of their traditional, intimate\n relationship with the landscape. Mongolian nomadic life has always been\n linked inextricably with the cycle of the seasons, with the weather, and\n with the topographical features, which function as both waymarks and\n as ancestral presence. Despite its impulse towards industrialization and\n urbanization, Mongolian socialism acknowledged such links, and writers\n drew on their own connection with their homeland (nutag) to enhance and\n promote the new revolutionary society through a literature that celebrated\n the interaction of humans, livestock and the steppe. A competition based\n upon the theme of the revolutionary response to ‘homeland’ (nutag)\n resulted in a greater interest in this dynamic, as shown in D. Natsagdorj’s\n 1933 poem ‘My Homeland’ (Minii Nutag).","PeriodicalId":106248,"journal":{"name":"Politics and Literature in Mongolia (1921–1948)","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Politics and Literature in Mongolia (1921–1948)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv15d809p.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
One of the more complex developments in the post-revolutionary period
was in the Mongolian people’s understanding of their traditional, intimate
relationship with the landscape. Mongolian nomadic life has always been
linked inextricably with the cycle of the seasons, with the weather, and
with the topographical features, which function as both waymarks and
as ancestral presence. Despite its impulse towards industrialization and
urbanization, Mongolian socialism acknowledged such links, and writers
drew on their own connection with their homeland (nutag) to enhance and
promote the new revolutionary society through a literature that celebrated
the interaction of humans, livestock and the steppe. A competition based
upon the theme of the revolutionary response to ‘homeland’ (nutag)
resulted in a greater interest in this dynamic, as shown in D. Natsagdorj’s
1933 poem ‘My Homeland’ (Minii Nutag).