ICON REPRESENTATION IN 'OZYMANDIAS' AND 'THE NEW COLOSSUS' POETRY: SEMIOTICS ANALYSIS

Ingga Rosarini
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Abstract

Semiotic or semiology means the systematic study of signs. What becomes difficult is defining what a 'sign' actually is. Modern day Semioticians, not only study 'signs' - it goes much deeper than that - they study how meaning is formed. Semiotic study how people first of all interprate a sign, how they then draw on cultural or personal experience to understand a sign. Pierce distinguished sign into three basic, there are: iconic, indexical, and the symbolic. An Icon has a physical resemblance to the signified, the thing being represented. Ozymandias is a fourteen-line sonnet by Percy Bysshe Shelley as English Romantic poet published in 1818. Ozymandias is a statue for another name of King Ramses the Great, Pharaoh of the nineteenth dynasty of ancient Egypt. The icon is depicted directly in the poem which represents the figure of king Ramses II with a statue. The new colossus is a statue for a classic American poem have fourteen-line sonnet by Emma Lazarus. The New Colossus was written in 1883 which adorns the pedestal of the statue of Liberty. The depiction of the character 'Mother of Exiles' as evidenced by the Statue of Liberty woman was written with the truth about what appeared and was seen and a deep sense of freedom. The portrayal depicted in the poem is immediately explained in terms of the denotation in its basic and original form. The depiction of the king's character was written with the truth of what appeared and was seen.
“奥兹曼迪亚斯”和“新巨像”诗歌中的图标再现:符号学分析
符号学或符号学意味着对符号的系统研究。困难的是定义“符号”到底是什么。现代符号学家不仅研究“符号”,他们还研究意义是如何形成的。符号学研究人们首先如何解释一个符号,然后他们如何利用文化或个人经验来理解一个符号。皮尔斯把标志区分为三种基本的,有:标志性的、指标性的和象征性的。一个图标有一个物理上的相似之处的意义,被代表的东西。《奥兹曼迪亚斯》是英国浪漫主义诗人珀西·比希·雪莱的十四行诗,发表于1818年。奥兹曼迪亚斯是古埃及第十九王朝法老拉美西斯大帝的另一个名字的雕像。这首诗直接描绘了拉美西斯二世国王的雕像形象。这座新雕像是为了纪念一首经典的美国十四行诗,作者是艾玛·拉撒路。《新巨像》写于1883年,装饰着自由女神像的基座。以自由女神为证的“流亡者之母”的描写,是用真实的表象和深刻的自由感写成的。诗中所描绘的形象在其基本和原始形式的外延方面立即得到解释。对国王性格的描写是根据所见和所见的事实写成的。
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