ON THE IMAGE OF GESER KHAN IN THE PLAY “THREE SHARAGOL KHAN” BY WRITER D. NAMDAG, LAUREATE OF THE STATE PRIZE

Y. Purevsuren
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Abstract

. Any art is developed following people’s artistic thinking, ideology and internal nature. These are transmitted from previous generation to next generation by inheritance, succession and renewal. Clear expression of inheritance, succession and renewal is “Three kings of Sharai River” musical performance with five episodes by D. Namdag, state –prized writer of Mongolia. This drama was written on the fifth part as having captured state of three kings of Sharia River in “Geser” Story. “Geser” story was written by fiction form, whereas drama of Three kings of Sharai River was written by poetic form. The poems have lyric, melodic, artistic and nice writing with heroic and magnificent expression. The fifth part of “Geser” Story has 23 chapters, all chapters have independent and special action. Drama was tied along a line for the fifth part. The drama expressed Geser that he is smart and shrewd. The drama contributed in development of modern drama story of Mongolia.
国家文学奖得主d. namdag的剧作《三个sharagol khan》中geser khan的形象
. 任何艺术都是按照人的艺术思维、思想和内在本性发展起来的。这些是通过继承、继承和更新从上一代传给下一代的。蒙古国奖作家D. Namdag的五集音乐剧《沙莱河三王》,清晰地表达了传承、继承和更新。这部戏剧是在第五部写的,在“Geser”故事中占领了沙里亚河的三个国王的国家。《格色》故事采用小说形式,《沙莱三王》戏剧采用诗歌形式。诗歌抒情、旋律优美、文笔优美,表现豪迈、磅礴。《格斯尔的故事》第五部分共有23个章节,每个章节都有独立的、特殊的动作。戏剧在第五部中被捆绑在一起。这部戏剧表现了格塞尔的聪明和精明。该剧为蒙古现代戏剧故事的发展做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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