Plural art: Distributing videos in plural form through the web

Daichi Misawa
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引用次数: 1

Abstract

This paper presents a way that distributes one concept through video art in plural form, assuming that audience in the world are active audience. This video art uses the web, web browsers, web API, video service on the web and video production software. Audience as information receiver can understand a concept of the work in complementary point of view, and artist as information sender can send the concept from various angles through the work. Motif of the work is Auschwitz Museum. In the exhibition, we could observe behavior of audience that they started to see the work in complementary point of view and recognized the fact of plural form. It seems to us that this behavior of the audience indicates that they discovered existence of others and took the existence of others into their own consideration through viewing the work. We hope audience find something essential behind the videos in plural form as plural art.
复数艺术:通过网络以复数形式传播视频
本文在假设世界上的观众都是活跃的观众的前提下,提出了一种通过影像艺术以复数形式传播一种观念的方式。这种视频艺术使用网络、网络浏览器、网络API、网络上的视频服务和视频制作软件。作为信息接收者的观众可以从互补的角度理解作品的一个概念,而作为信息发送者的艺术家可以通过作品从不同的角度发送这个概念。作品的主题是奥斯维辛博物馆。在展览中,我们可以观察到观众的行为,他们开始以互补的角度看待作品,并认识到作品的复数形式。在我们看来,观众的这种行为表明他们通过观看作品发现了他人的存在,并将他人的存在纳入自己的考量。我们希望观众在多重形式的影像背后,找到作为多重艺术的本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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