Historicizing Comparative Literature in the Postcolonial Era

Constantin Sonkwé Tayim
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Abstract

This paper brings up the history of comparative literature from its beginning to the postcolonial era, discussing the challenges and controversies that have shaped the history of the discipline and practice. Drawing mainly upon Edward Said’s thought, but also other prominent theorists, the paper sketches the evolution of the concept of comparative literature on the one hand, and on the other hand, it shows through some recent examples of transnational and transcultural questions, how difficult it is in the contemporary context of Globalization to preserve the nation as a space and concept of reference for the writing of the history of literature, due to the very fact of the transformation of the nation and its contours in recent decades. It is also about showing that despite the circulation of worlds and the challenge of the nation’s rigid borders by the process of migration among others, the nation is not yet disqualified as a framework and substructure for literary production. It further discusses the relationship between literature and nation in the contemporary context as well as the issues of transnationality and world literariness, using two examples from France and Nigeria.
后殖民时代比较文学的历史化
本文回顾了比较文学从诞生到后殖民时代的历史,探讨了影响这一学科和实践历史的挑战和争议。本文主要借鉴了爱德华·萨义德的思想,同时也借鉴了其他一些著名的理论家,一方面概述了比较文学概念的演变,另一方面,通过一些最近的跨国和跨文化问题的例子,表明在全球化的当代背景下,保持民族作为文学史写作的空间和参考概念是多么困难。因为近几十年来这个国家和它的轮廓发生了变化。它还表明,尽管世界在循环,尽管移民等因素对国家僵化的边界构成了挑战,但这个国家还没有丧失作为文学创作框架和基础结构的资格。以法国和尼日利亚为例,进一步探讨当代语境下文学与民族的关系,以及跨国和世界文学性的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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