Beginning Improvisation

Michael R. Treat
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引用次数: 1

Abstract

An improvised jazz solo is constructed from rhythmic and harmonic vocabulary. It requires the player to have an internal sense of melody, harmony and form that he or she relies on to create musical ideas in real time. This chapter outlines an approach to teaching beginning improvisors that can develop these concepts. It articulates principles of improvisation that students must learn before progressing to advanced theoretical concepts, which include communication; phrasing; tension and release; and the ability to simultaneously create, perform, and respond to music. Throughout the chapter, exercises, activities, and repertoire are provided that effectively lay the groundwork for learning to improvise in the jazz idiom.
开始即兴创作
即兴爵士独奏是由节奏和和声词汇组成的。它要求玩家有一种内在的旋律、和声和形式感,他或她依靠这些来实时创造音乐创意。本章概述了一种能够培养这些概念的初学即兴演奏者的教学方法。它阐明了学生在学习高级理论概念(包括交流)之前必须学习的即兴创作原则;的措辞;紧张与释放;以及同时创作、表演和回应音乐的能力。在整个章节中,练习,活动和保留曲目提供,有效地奠定了基础,学习即兴创作的爵士习语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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