The Bias of Mediatization: Utopia in Charlottesville

Nikola Mlađenović
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引用次数: 1

Abstract

The paper reconstructs Harold innis’ idea of media’s bias. It is argued that media construct a view of the future in line with temporalized Platonism that excludes people that belong to the past. The clash of statues and media in Charlottesville presented mediatization as a progressive but not dialectical force. Statues and media did not check each other’s biases. Media embody the confrontation of authority and publicity (Habermas) or the Enlightenment and Absolutism (Koselleck). After the neoliberal commercialization, the Enlightenment acquired the form of utopian future that confronts the media logic against conservative forces. The truth is constructed according to the prescribed future. Trump blamed all, in accordance with the Absolutist principle. Commercial media professionalism stood by its Enlightenment origins and accused Trump of revitalizing forces of the past. Because most citizens were against taking down the statues, commercialized media logic was less receiver steering than the public service media.
媒介化的偏见:夏洛茨维尔的乌托邦
本文重构了哈罗德·英尼斯关于媒介偏见的观点。有人认为,媒体构建了一种符合时间化柏拉图主义的未来观,这种观点排斥了属于过去的人。夏洛茨维尔的雕像和媒体的冲突将媒体化呈现为一种进步的而非辩证的力量。雕像和媒体没有检查彼此的偏见。媒介体现了权威与公共性的对抗(哈贝马斯)或启蒙与专制主义的对抗(科塞莱克)。在新自由主义商业化之后,启蒙运动获得了一种乌托邦式的未来形式,它与保守势力的媒介逻辑相对抗。真理是根据规定的未来构建的。根据绝对主义原则,特朗普指责所有人。商业媒体专业主义坚持其启蒙起源,并指责特朗普复兴了过去的力量。因为大多数市民反对拆除铜像,所以商业化媒体的逻辑不如公共服务媒体那样受人摆布。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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