Discussion on the Development Path of the“Bouyi Bayin”performance

Sisi Chen
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引用次数: 0

Abstract

The "Bouyi Bayin" of Bouyi ethnic group in Guizhou province, also known as "Bayin seated singing", has already been a symbol of the Bouyi culture. During recent thirty years, the "Buyi Bayin" has gradually moved to the stage, and the "Buyi Bayin" performances on the stage have also seen a continuous change in such aspects as contents, languages, instruments, costumes and stage actions in the process of interaction with the audience. Did the performance form of Bouyi Bayin belong to Bouyi culture? Can it be recognized? How can we develop the classical Bouyi Bayin? We try to find a feasible way for this kind of stage performance, and we hope more experts will pay attention to it.
论“布衣巴音”演出的发展路径
贵州布依族的“布依巴音”,又称“巴音坐唱”,早已成为布依族文化的象征。近三十年来,“布依巴音”逐渐走向舞台,舞台上的“布依巴音”表演在与观众互动的过程中,在内容、语言、乐器、服装、舞台动作等方面也不断发生变化。布依巴音的表演形式是否属于布依族文化?它能被识别吗?如何发展经典的布依巴音?我们试图为这种舞台表演找到一种可行的方式,希望更多的专家能够关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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