Contextualizing Chaoben: On the Popular Manuscript Culture of the Late Qing and Republican Period in China

R. Suleski
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Abstract

Between 1850 and 1950, China enjoyed a vibrant popular manuscript culture.* Books hand-copied by brush1 proliferated in the large cities, market centers, and even inmany villages. At first glance, it seemsparadoxical that handwritten materials would flourish at the very time that printed matter was increasingly available, often in inexpensive, illustrated lithographed editions sold in bookstores and local markets. By the 1920s, printed copies of virtually every popular and well-known text in China had been reproduced for sale and circulated widely. Yet thousands of people continued to copy these texts by hand for use in daily life, and they handwrote notebooks for their own reference. This chapter explains why the practice of hand-copying materials continued and how they were used. I began collecting these books in 2004, and all the examples used in this chapter come from my personal collection. They are all one-of-a-kind notebooks [bijiben 筆記本], also referred to in this study as booklets, since they usually contain fewer pages than books and have the feel of an informal
“朝本”的语境化:论晚清民国时期的民间手稿文化
1850年至1950年间,中国的民间手稿文化蓬勃发展。*用毛笔抄写的书在大城市、市场中心,甚至在许多村庄都大量出现。乍一看,在印刷材料越来越容易获得的同时,手写材料却在蓬勃发展,这似乎是自相矛盾的,印刷材料通常是在书店和当地市场上出售的廉价、有插图的平版。到20世纪20年代,几乎所有中国流行和知名的书籍的印刷本都被复制出售并广泛传播。然而,成千上万的人继续用手抄写这些文本以供日常生活使用,他们手写笔记本供自己参考。这一章解释了为什么手抄材料的做法还在继续,以及它们是如何被使用的。我从2004年开始收集这些书,本章中使用的所有例子都来自我的个人收藏。它们都是独一无二的笔记本,在本研究中也被称为小册子,因为它们通常比书的页数少,而且有一种非正式的感觉
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