Emotional Synchrony of the Narrator and Readers in Villette

R. Yamamoto
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Abstract

The aim of this study is to reveal how emotional synchrony between a narrator and readers is created. In “Villette”, by Charlotte Brontë, the stream of the narrator’s consciousness often goes ahead that of the young heroine’s, causing the narration to become distorted and, in a sense, unjust and insincere to readers. However, contrary to practical wisdom, such premature narrative succeeds in drawing readers into an emotional synchrony with the narrator. Emotional synchrony in the novel occurs in three configurations: between young Lucy and old Lucy (the narrator who is recollecting the past), young Lucy and the readers, and old Lucy and the readers. The blending of the three can make the novel seem too complicated and chaotic. Ultimately, however, this characteristic is not a failure but an unrecognized means of defiance, exposing the narrator’s inner emotions and true feelings and allowing readers to unconsciously emotionally synchronize with the narrator.
《维莱特》中叙述者与读者的情感同步性
本研究的目的是揭示叙述者和读者之间的情感同步是如何产生的。在夏洛特Brontë的《维莱特》中,叙述者的意识流往往走在年轻女主人公的意识流前面,使得叙述变得扭曲,从某种意义上说,对读者来说是不公正和不真诚的。然而,与实践智慧相反,这种不成熟的叙述成功地吸引了读者与叙述者的情感同步。小说中的情感同步以三种形态出现:年轻的露西和年老的露西(叙述者在回忆过去)、年轻的露西和读者、年老的露西和读者。这三者的混合会使小说显得过于复杂和混乱。然而,这一特点最终并不是失败,而是一种未被认识到的反抗手段,它暴露了叙述者的内心情绪和真实感受,让读者在情感上不自觉地与叙述者同步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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