{"title":"Letter to a seabird","authors":"Melissa Jane Fagan","doi":"10.60162/swamphen.9.15707","DOIUrl":null,"url":null,"abstract":"In May 2020, when I should have been experiencing spring in Scotland, I was instead living in Queensland, surfing the point breaks of the southern Gold Coast as the autumn swells rolled in. It was there that I noticed a bird I had never seen before and didn’t know how to identify. Over coming weeks and months, I would watch this bird and others like it dive for fish from a great height, mesmerised. I wanted to know more. In my strange/letter, addressed to the birds, I track my attempts to identify and understand them via close observation and research, a process that led me back to Scotland through Bryan Nelson’s monograph, The Gannet (1978). I trace the way in which I began to feel a sense of kinship with this animal, while also interrogating the limits of that kinship, amid a backdrop of border closures and uncertainty that was the strange southern winter of 2020.","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.60162/swamphen.9.15707","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In May 2020, when I should have been experiencing spring in Scotland, I was instead living in Queensland, surfing the point breaks of the southern Gold Coast as the autumn swells rolled in. It was there that I noticed a bird I had never seen before and didn’t know how to identify. Over coming weeks and months, I would watch this bird and others like it dive for fish from a great height, mesmerised. I wanted to know more. In my strange/letter, addressed to the birds, I track my attempts to identify and understand them via close observation and research, a process that led me back to Scotland through Bryan Nelson’s monograph, The Gannet (1978). I trace the way in which I began to feel a sense of kinship with this animal, while also interrogating the limits of that kinship, amid a backdrop of border closures and uncertainty that was the strange southern winter of 2020.