Bill: A Portrait of Discontinuties

A. Halliday
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Abstract

A dialogue and a reflection are offered as a way of structuring the author’s thoughts about the life and personality of a dead friend (the dialogue), and his reflection on why he wrote the first dialogue as he did. In particular, the dialogue seeks to present the dead man as confusing to ‘read’. The reflection considers how much attention is given in the first to different aspects of the friend’s life, and offers possible reasons for these choices. Reasons include the personal characteristics of the author highlighted by his friendship with the dead man, and the author’s wish to reflect obliquely something of the felt experience of being the dead man’s friend. This dialogue was submitted to EJLW on August 7th, and published on April 9th 2017. Arthur Halliday is a pseudonym.
比尔:不连续性的画像
一段对话和一段反思是作者对一个死去的朋友(对话)的生活和性格的思考的一种方式,也是他对为什么他写第一个对话的思考。特别是,对话试图将死者呈现为令人困惑的“阅读”。这种反思考虑了在第一种情况下对朋友生活的不同方面给予了多少关注,并提供了这些选择的可能原因。原因包括作者与死者的友谊所突出的个人特征,以及作者希望间接反映作为死者朋友的感受体验。该对话于8月7日提交给EJLW,并于2017年4月9日发布。阿瑟·韩礼德是个笔名。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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