The Temptation Narrative of Genesis 3:1-6: A Prelude to the Pentateuch and the History of Israel

Martin Emmrich
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引用次数: 3

Abstract

The paper elucidates the theological tenets that moved the author I editor of the temptation story in giving the account its final shape. Genesis 3:1-6 furnishes a number of clues allowing us to conclude that the author/editor had the deuteronomistic history ‘in front of him’ when he carried out his task. As for the garden setting, it is indeed not difficult to see how the agrarian culture of Israel, who used to view her land as the garden of God, impacted the process of shaping. But more specifically, all the major elements and characters in the text seem to betray a deuteronomistic orientation. The study seeks to demonstrate that the idea of the two trees is heavily influenced by deuteronomistic (retribution) theology, as they function like the Mosaic blessing and the curse respectively. The intruding snake too assumes a role analogous to the false prophets of ancient Israel, whose objective was the introduction of apostate cults. Finally; the depiction of the woman's role in the temptation story is closely linked with the theme of the false prophet. For as the role of women in the deuteronomistic history is often key to Israel’s apostasy, so Eve's role in Genesis 3 is key to the fall.
创世纪3:1-6的试探叙述:摩西五经和以色列历史的前奏
本文阐明了感动作者和编辑的神学原则的试探故事给帐户的最后形状。创世纪3:1-6提供了一些线索,让我们得出结论,作者/编辑在完成任务时,“在他面前”有申命记的历史。至于花园的设置,确实不难看出以色列的农业文化是如何影响塑造过程的,以色列人曾经把她的土地视为上帝的花园。但更具体地说,经文中所有的主要元素和人物似乎都背叛了申命记的方向。这项研究试图证明,这两棵树的概念在很大程度上受到了申命记(报应)神学的影响,因为它们的功能分别像摩西的祝福和诅咒。入侵的蛇也承担了类似古代以色列假先知的角色,其目的是引入叛教的邪教。最后;诱惑故事中对女性角色的描写与假先知的主题密切相关。因为在申命记的历史中,女性的角色往往是以色列叛教的关键,所以夏娃在创世纪3中的角色也是以色列堕落的关键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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