“Ukrainian wave” in the context of music life in modern Switzerland

O. Vardanyan
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Abstract

Relevance of the study. The struggle of the Ukrainian people for freedom and independence has caused a great international wave of sympathy and, at the same time, interest in Ukraine and its artistic heritage. Intensification of cultural communication with other countries actualizes the need to understand the mechanisms of cultural life in Europe, the USA, other countries of the West and East. The study of the audience of classical music concerts is important because the listener is the final consumer of the music product. Studying the mechanisms of organizing a large international festival on the example of Lucerne Festival is important and promising. Main objectives of the study. To highlight the problem of perception of Ukrainian music by the Swiss public and to describe the ways to overcome it in the context of the mechanisms of organization of musical life in Switzerland. Methodology. The research is based on general scientific empirical (observation, description) and theoretical (generalization, comparison) methods. Statistical and sociological methods are used to identify patterns in the change of preferences of the European public in recent years. Results and conclusions. The research summarized the experience of foreign scientists in studying the problem of audience aging. Some theories such as the theory of generations and the cohort effect are highlighted. Approaches to attracting new generations to the audience of classical music concerts are generalized. Problem areas in the perception of Ukrainian art by the European audience are identified and ways to overcome the problem are proposed. Prospects for further research. The actual lack of research on the third link of the triad "composer — performer — listener" and the relevance of the object promotes further research in this area. Particular importance is the focus on foreign listeners, the search for ways to "translate" the meanings underlying the Ukrainian artistic product.
“乌克兰浪潮”背景下的瑞士现代音乐生活
研究的相关性。乌克兰人民争取自由和独立的斗争在国际上引起了极大的同情,同时也引起了对乌克兰及其艺术遗产的兴趣。与其他国家文化交流的加强实现了了解欧洲、美国以及其他西方和东方国家文化生活机制的需要。对古典音乐会听众的研究很重要,因为听众是音乐产品的最终消费者。研究以卢塞恩节为例的大型国际节日的组织机制具有重要意义和前景。本研究的主要目的。为了突出瑞士公众对乌克兰音乐的感知问题,并描述在瑞士音乐生活组织机制的背景下克服乌克兰音乐的方法。方法。研究基于一般的科学实证(观察、描述)和理论(概括、比较)方法。统计和社会学方法用于确定近年来欧洲公众偏好变化的模式。结果和结论。本研究总结了国外科学家研究受众老龄化问题的经验。一些理论如代际理论和队列效应被强调。对古典音乐会吸引新一代听众的方法进行了概括。确定了欧洲观众对乌克兰艺术的看法中的问题领域,并提出了克服问题的方法。进一步研究展望。对三和弦中第三个环节“作曲者-表演者-听者”的研究以及研究对象的相关性的实际缺失,促进了这一领域的进一步研究。特别重要的是关注外国听众,寻找“翻译”乌克兰艺术产品背后含义的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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