{"title":"Critical Ethnocentrism (1949–1959): The Southern Period and the Articulation of a Post-colonial Anthropology alongside Claude Lévi-Strauss","authors":"Flavio A. Geisshuesler","doi":"10.1163/9789004457720_007","DOIUrl":null,"url":null,"abstract":"The World of Magic can be regarded as a symbol for de Martino’s fundamental role as a promoter for the study of religion on the Italian peninsula. Because of his involvement with some of Italy’s most distinguished publishers, such as Giangiacomo Feltrinelli (1926–1972), Alberto Mondadori (1914–1976), and Giulio Einaudi (1912–1999), it has been argued that “half of the books published in the field of anthropology and religious studies” between the late 1940s until the mid-sixties, ‘carried the stamp of de Martino’.”1 His collaboration with the Einaudi publishing house was an immense success, leading to the publication of a series known as Collection of Religious, Anthropological, and Psychological Studies (Collezione di studi religiosi, etnologici e psicologici).2 It was co-directed by de Martino and the renowned Italian literary figure Cesare Pavese (1908– 1950) until the latter’s suicide in 1950. Supported by Raffaele Pettazzoni and Angelo Brelich, two important historians of religion—who collaborated with translations and introductions3—the series is also commonly known by the name Purple Series (Collana viola) for the distinguishing color of its cover. However, his magnum opus also stands for de Martino’s isolation within this disciplinary matrix. Indeed, his professional development as a historian of religion was not burgeoning as he had hoped. In 1948, after his book was published as the first volume of the Purple Series, de Martino was rejected from a teaching position in anthropology at the Sapienza University in Rome. There, two of his closest allies, Boccassino and Pettazzoni, considered his work to be too philosophical and not anthropological enough. In the words of one","PeriodicalId":191509,"journal":{"name":"The Life and Work of Ernesto De Martino","volume":"163 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Life and Work of Ernesto De Martino","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004457720_007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The World of Magic can be regarded as a symbol for de Martino’s fundamental role as a promoter for the study of religion on the Italian peninsula. Because of his involvement with some of Italy’s most distinguished publishers, such as Giangiacomo Feltrinelli (1926–1972), Alberto Mondadori (1914–1976), and Giulio Einaudi (1912–1999), it has been argued that “half of the books published in the field of anthropology and religious studies” between the late 1940s until the mid-sixties, ‘carried the stamp of de Martino’.”1 His collaboration with the Einaudi publishing house was an immense success, leading to the publication of a series known as Collection of Religious, Anthropological, and Psychological Studies (Collezione di studi religiosi, etnologici e psicologici).2 It was co-directed by de Martino and the renowned Italian literary figure Cesare Pavese (1908– 1950) until the latter’s suicide in 1950. Supported by Raffaele Pettazzoni and Angelo Brelich, two important historians of religion—who collaborated with translations and introductions3—the series is also commonly known by the name Purple Series (Collana viola) for the distinguishing color of its cover. However, his magnum opus also stands for de Martino’s isolation within this disciplinary matrix. Indeed, his professional development as a historian of religion was not burgeoning as he had hoped. In 1948, after his book was published as the first volume of the Purple Series, de Martino was rejected from a teaching position in anthropology at the Sapienza University in Rome. There, two of his closest allies, Boccassino and Pettazzoni, considered his work to be too philosophical and not anthropological enough. In the words of one
《魔法世界》可以被看作是马蒂诺作为意大利半岛宗教研究促进者的基本角色的象征。由于他与意大利一些最杰出的出版商,如Giangiacomo Feltrinelli (1926-1972), Alberto Mondadori(1914-1976)和Giulio Einaudi(1912-1999)的合作,有人认为,从20世纪40年代末到60年代中期,“在人类学和宗教研究领域出版的书籍中,有一半带有马蒂诺的印记”。他与Einaudi出版社的合作取得了巨大的成功,并出版了一系列名为《宗教、人类学和心理学研究汇编》(Collezione di studi religiosi, etnologici e psicologici)的丛书这部电影由马蒂诺和意大利著名文学家切萨雷·帕韦塞(Cesare Pavese, 1908 - 1950)共同执导,直到后者于1950年自杀。在两位重要的宗教历史学家拉斐尔·佩塔佐尼和安吉洛·布雷利奇的支持下,他们合作翻译和介绍了这本书,由于封面的独特颜色,这本书也被称为紫色系列(Collana viola)。然而,他的巨著也代表了马蒂诺在这个学科矩阵中的孤立。事实上,他作为宗教历史学家的职业发展并没有像他希望的那样迅速发展。1948年,在他的书作为《紫色丛书》的第一卷出版后,德马蒂诺被罗马萨皮恩扎大学(Sapienza University)人类学教授职位拒绝。在那里,他的两个最亲密的盟友,波卡西诺和佩塔佐尼,认为他的作品过于哲学化,不够人类学。用一个人的话来说