LEARNING MUSIC THROUGH RHYTHMIC MOVEMENTS IN MALAYSIA

J. Ismail, Loo Fung Chiat, A. Anuar
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引用次数: 13

Abstract

Purpose – Music class should function as a class that triggers joy and a platform for students to express their feelings. Based on observation, there are music teachers who teach singing and playing musical instruments traditionally based on teacher-centered approach. This has caused music classes to become passive and dull, with unexcited students that would cause them to be out of focus in the class. The purpose of this research is to investigate the application of rhythmic movements, using one of the components from Dalcroze’s Eurhythmics as an activity to develop active and fun music classes, hence to improve students’ music performance skills. Methodology – The study was carried out within the framework of a ten-week action-research design involving 35 primary school students at Putrajaya, Malaysia. Data collection was through group observation on students’ musical behaviours. Researchers also conducted an in-depth interview with rhythmic movement experts. Findings – Result shows that there is a significant changing of musical behaviours among primary students from week 8 to week 10. Experts agreed that rhythmic movement can create a meaningful music class with an active participation by students. There are three rhythmic procedures recommended by the experts to strengthen a music class pedagogy. Significance – Learning music through movements has turned music class into active and fun. Rhythmic movement activity makes this intention to become more meaningful. The study helps students to explore music through movements while they have the chance to play, communicate to each other, learn through observation and express their creativity in their own way. This intervention helps students to grasp almost all the music concepts while doing activities. This study also provides ideas for teachers to integrate rhythmic movements in music instructional process. Keywords: Dalcroze Eurhythmics, rhythmic movement, music education, qualitative, primary students, singing, playing percussion.
在马来西亚通过有节奏的动作学习音乐
目的——音乐课应该是一门激发快乐的课,是学生们抒发情感的平台。根据观察,有些音乐教师传统上是基于以教师为中心的方法来教授唱歌和演奏乐器。这导致音乐课变得被动和枯燥,学生们不兴奋会导致他们在课堂上注意力不集中。本研究的目的是探讨节奏动作的应用,利用Dalcroze的《eurhythics》中的一个组成部分作为一种活动来开发积极有趣的音乐课程,从而提高学生的音乐表演技能。方法:这项研究是在为期十周的行动研究设计框架内进行的,涉及马来西亚布城的35名小学生。通过对学生音乐行为的小组观察收集数据。研究人员还对节奏运动专家进行了深入采访。调查结果-结果显示,从第8周到第10周,小学生的音乐行为发生了显著的变化。专家们一致认为,有节奏的运动可以创造有意义的音乐课程,让学生积极参与。专家们推荐了三种节奏程序来加强音乐课教学。意义——通过动作学习音乐,使音乐课变得活跃而有趣。有节奏的运动活动使这种意图变得更有意义。该学习帮助学生通过动作探索音乐,同时他们有机会演奏,相互交流,通过观察学习,并以自己的方式表达他们的创造力。这种干预可以帮助学生在活动中掌握几乎所有的音乐概念。本研究也为教师在音乐教学过程中融入节奏动作提供了思路。关键词:达尔克罗兹艺术韵律,节奏运动,音乐教育,定性,小学生,歌唱,打击乐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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