{"title":"3. A Waste of Shame: The Heroics of Marriage in English Renaissance Tragedy","authors":"","doi":"10.7591/9781501723247-005","DOIUrl":null,"url":null,"abstract":"and visionary formation of an ideology, were aware of the contradictions they were articulating . The value of their discourse does not lie in its self-consciousness or its prescience. 95 Rather, because of its historical position, Puritan marriage ideology in the Renaissance provides a remarkable index of the ways in which modern sexual values were being created, terms were being con structed, and conflicts were taking shape. The apprehension and exploitation of ideological inconsistencies became the task not of sermons , but of the drama, in which a greater attachment to the concrete, an obligation to action, and a dependence on conflict brought paradox into the light of representation, giving visibility and significance to contradiction and seeking to resolve it through the operations of form.","PeriodicalId":346200,"journal":{"name":"The Expense of Spirit","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Expense of Spirit","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7591/9781501723247-005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
and visionary formation of an ideology, were aware of the contradictions they were articulating . The value of their discourse does not lie in its self-consciousness or its prescience. 95 Rather, because of its historical position, Puritan marriage ideology in the Renaissance provides a remarkable index of the ways in which modern sexual values were being created, terms were being con structed, and conflicts were taking shape. The apprehension and exploitation of ideological inconsistencies became the task not of sermons , but of the drama, in which a greater attachment to the concrete, an obligation to action, and a dependence on conflict brought paradox into the light of representation, giving visibility and significance to contradiction and seeking to resolve it through the operations of form.