Number Theory in George Herbert's "Trinity Sunday" and "Trinitie Sunday"

D. Ormerod
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引用次数: 3

Abstract

Despite the fact that George Herbert was a graduate of Trinity College, Cambridge, the doctrine of the Trinity does not seem to have been of any great literary or devotional interest to the poet. He employs it to some effect in "The Starre" and "Ungratefulnesse," but his only other recourse to it, in the poems "Trinity Sunday" and "Trinitie Sunday," has elicited little critical interest, and that somewhat censorious in nature. "Trinity" is from the Williams MS, and, together with five other poems, was excluded from the Bodleian MS and hence from the printed text of The Temple.' It is usually assumed by critics who like their poems to be simple, sensuous, and passionate, that "Trinity" was discarded by Herbert in favor of "Trinitie" because he was dissatisfied with it, but this may well be a post hoc rationalization.2 "Trinitie Sunday" is self-evidently a poem about triads:
乔治·赫伯特《三位一体星期日》和《三位一体星期日》中的数论
尽管乔治·赫伯特毕业于剑桥大学三一学院,但这位诗人对三位一体的教义似乎并没有多大的文学或宗教兴趣。他在《饥饿》(The Starre)和《忘恩负义》(ungrateful)中运用了这种手法,但他在《三位一体的星期天》(Trinity Sunday)和《三位一体的星期天》(Trinity Sunday)这两首诗中对这种手法的其他求助,几乎没有引起评论界的兴趣,而且在本质上有点吹毛求疵。《三位一体》来自威廉姆斯的MS,和其他五首诗一起,被排除在牛津大学的MS之外,因此也被排除在《神庙》的印刷文本之外。那些喜欢简单、感性和激情的诗歌的评论家通常认为,赫伯特抛弃“三位一体”而选择“三位一体”是因为他对它不满意,但这很可能是一种事后的合理化。《三位一体的星期天》显然是一首关于三位一体的诗:
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