Cleaving to the Scene of Shame: Stigmatised Childhoods in The End of Alice and Two Girls, Fat and Thin

K. Mitchell
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Abstract

Chapter 2 discusses two contemporary American writers, A.M. Homes and Mary Gaitskill – whose literary engagements with shame, in relation to sexuality in particular, have been notably provocative and disturbing. The chapter first discusses childhood and/as the scene of shame and considers the idea of the ‘queer child’; it then analyses the unsettling, contradictory admixture of desire, disgust and shame to be found in Homes’s The End of Alice (1996) and Gaitskill’s Two Girls, Fat and Thin (1991), both of which present stories of child abuse, both of which resist any straightforwardly redemptive or consolatory conclusion. In these novels, the childhood scene of shame is something that cannot be definitively vanquished – hence the double meaning of ‘cleave’ (to cling to, to separate from) in this chapter’s title. Chapter 2 also considers the movement of shame through and beyond the texts: the self-reflexive emphasis on deviant or unreliable narration; the displacement of shame upon the reader, whose disconcerting complicity is thereby invited; and the unease evident in the novels’ reception, regarding the de-feminising implications of female authors writing about apparently ‘shameful’ topics.
坚守耻辱的场景:《爱丽丝和两个女孩,胖和瘦的结局》中被污名化的童年
第二章讨论了两位当代美国作家A.M.霍姆斯和玛丽·盖茨基尔——她的文学作品与羞耻有关,尤其是与性有关,非常具有挑衅性和令人不安。这一章首先讨论了童年和/作为羞耻的场景,并考虑了“酷儿”的概念;然后,它分析了霍斯的《爱丽丝的结局》(1996)和盖茨基尔的《两个女孩,胖瘦》(1991)中令人不安的、矛盾的欲望、厌恶和羞耻的混合,这两本书都讲述了虐待儿童的故事,都拒绝任何直接的救赎或安慰的结论。在这些小说中,童年羞耻的场景是无法被彻底消除的——因此,在本章的标题中,“cleave”(依附,分离)有双重含义。第二章还考察了羞耻在文本内外的运动:自我反思式地强调越轨或不可靠的叙述;使读者感到羞耻,从而引起读者的不安;女性作家写的显然是“可耻”的话题,而这种去女性化的暗示也让人们对小说的接受感到不安。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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