A Seventeenth-Century Manuscript of the Academic Drama Lingua

Jennie Challinor
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Abstract

This article explores a previously unknown manuscript of the anonymous academic drama Lingua. Housed in the Bridgeman family archives in Staffordshire Record Office, the manuscript is similar but by no means identical to the 1607 printed edition. I examine the manuscript’s possible provenance, its distinctive features and key variants (including its attention to act music), before focusing on two substantial original passages. Both of these episodes demonstrate a clear satirical interest in Wales, recycling as they do various Welsh stereotypes common in professional drama of the early seventeenth century. I argue that these sections—which also bear the mark of an engagement with Spenser and Rabelais—enrich our understanding not only of Lingua but of the links between university drama and wider literary and theatrical cultures. I conclude that these sections are likely authorial, and that Thomas Tomkis (to whom the play is usually attributed) may well have contributed to or overseen the production of the manuscript.
17世纪学术戏剧语言手稿
这篇文章探讨了一个以前不为人知的手稿的匿名学术戏剧Lingua。这份手稿保存在斯塔福德郡档案局的布里奇曼家族档案馆中,与1607年的印刷版相似,但绝不相同。我研究了手稿可能的出处,其独特的特征和关键的变体(包括对表演音乐的关注),然后关注两个实质性的原始段落。这两集都展示了对威尔士的明显讽刺,重复了17世纪早期职业戏剧中常见的各种威尔士刻板印象。我认为,这些章节——也带有与斯宾塞和拉伯雷接触的标志——不仅丰富了我们对语言学的理解,而且丰富了我们对大学戏剧与更广泛的文学和戏剧文化之间联系的理解。我的结论是,这些章节很可能是作者写的,托马斯·汤姆基斯(通常认为是他写的)很可能对手稿的制作做出了贡献或监督了手稿的制作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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