{"title":"“Oops!… I Did It Again”: The Complement Chorus in Britney Spears, The Backstreet Boys, and *NSYNC","authors":"Megan L. Lavengood","doi":"10.30535/smtv.7.6","DOIUrl":null,"url":null,"abstract":"A distinctive feature of a several turn-of-the-millennium singles performed by the Backstreet Boys, NSYNC, and Britney Spears is the presence of the “complement chorus,” a special, third appearance of chorus that appears after the bridge. The complement chorus brandishes a new melodic line with a distinct rhythmic profile, allowing for a high-energy climax rather than a mere restatement of the chorus, as it imbues the now-familiar chorus melody with new vigor. Complement choruses seem to have been a trick used exclusively by the producer Max Martin and his associates during the years 1998–2000, making them a distinctly Y2K phenomenon.","PeriodicalId":305096,"journal":{"name":"The Society for Music Theory Videocast Journal","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Society for Music Theory Videocast Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30535/smtv.7.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
A distinctive feature of a several turn-of-the-millennium singles performed by the Backstreet Boys, NSYNC, and Britney Spears is the presence of the “complement chorus,” a special, third appearance of chorus that appears after the bridge. The complement chorus brandishes a new melodic line with a distinct rhythmic profile, allowing for a high-energy climax rather than a mere restatement of the chorus, as it imbues the now-familiar chorus melody with new vigor. Complement choruses seem to have been a trick used exclusively by the producer Max Martin and his associates during the years 1998–2000, making them a distinctly Y2K phenomenon.