{"title":"Feedback Effect And Its Applications In The Art Of Stage Speech","authors":"M. Costea","doi":"10.2478/9788366675193-008","DOIUrl":null,"url":null,"abstract":": It is known that any effect is generated by a cause. The feedback effect, or inverse connection, is that physical phenomenon by which the effect returns to the cause that produced it, changing its initial parameters. For this phenomenon to occur, it is necessary to have a feedback circuit that returns the signal. A simple example of this is learning from mistakes. In our case, we will refer to the pronunciation of the stage text and the importance of the feedback effect in correcting and the actor's progress in interpreting the text from one repetition to another. Every mistake made by a man can correct his behavior, if he realizes the mistake he made. Thus, his partially wrong actions, however, bring him closer step by step, to the goal originally proposed. In this sense, we will deal with the feedback effect and its applications in the art of stage speech and will review the study and applicability of the feedback phenomenon in the art of theater in general. The set voice, specific to the stage speech technique, the support of the voice on the diaphragm during phonation, the permanent control of intonation and breathing, the multitude of interactions to which the actor is subjected on stage, his progress, on the contrary, vocal regression, student interaction in stage speech art and his teacher, all are possible due to the reverse connection effect. All reaction circuits are made in this case through the central nervous system. and persevering the speech, of the of the phonatory apparatus, of all kinds of interactions, which appear in the art of theater performance or in the of","PeriodicalId":410365,"journal":{"name":"Art and Research – Contemporary Challenges","volume":"91 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art and Research – Contemporary Challenges","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/9788366675193-008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
: It is known that any effect is generated by a cause. The feedback effect, or inverse connection, is that physical phenomenon by which the effect returns to the cause that produced it, changing its initial parameters. For this phenomenon to occur, it is necessary to have a feedback circuit that returns the signal. A simple example of this is learning from mistakes. In our case, we will refer to the pronunciation of the stage text and the importance of the feedback effect in correcting and the actor's progress in interpreting the text from one repetition to another. Every mistake made by a man can correct his behavior, if he realizes the mistake he made. Thus, his partially wrong actions, however, bring him closer step by step, to the goal originally proposed. In this sense, we will deal with the feedback effect and its applications in the art of stage speech and will review the study and applicability of the feedback phenomenon in the art of theater in general. The set voice, specific to the stage speech technique, the support of the voice on the diaphragm during phonation, the permanent control of intonation and breathing, the multitude of interactions to which the actor is subjected on stage, his progress, on the contrary, vocal regression, student interaction in stage speech art and his teacher, all are possible due to the reverse connection effect. All reaction circuits are made in this case through the central nervous system. and persevering the speech, of the of the phonatory apparatus, of all kinds of interactions, which appear in the art of theater performance or in the of