Lolita the Butterfly. Nabokov's Private Aesthetics

Savely Senderovich, Yelena Shvarts
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引用次数: 0

Abstract

Abstract:The paper is dedicated to parsing out several conceptual threads in Nabokov's Lolita, such as human passions, the butterfly hunter's reckless infatuation and the artistic creative freedom. These motifs tend to interact, but they cannot be brought into a ship-shape equation or even seamlessly aligned; they shed a lateral light on each other but are not to be equated; they diverge and at times converge, crisscross, overlap and jointly reveal the unique pattern concealed in the narrative fabric of Nabokov's world. They mutually comprise not so much a conception but rather a hieroglyph whose meaning is untranslatable into any neat formula. This hieroglyph is of unique kind: it belongs to the interrogative modality. This hieroglyph has a silhouette of BUTTERFLY.
蝴蝶洛丽塔。纳博科夫的私人美学
摘要:本文试图解析纳博科夫《洛丽塔》中人类的激情、捕蝶人的盲目迷恋和艺术创作的自由等几个概念线索。这些主题倾向于相互作用,但它们不能被带入一个船形方程,甚至不能无缝地对齐;它们相互照射,但不应等同;它们时而分散,时而汇合,时而交叉,时而重叠,共同揭示了隐藏在纳博科夫世界叙事结构中的独特模式。它们相互构成的与其说是一个概念,不如说是一种象形文字,其意义无法用任何简洁的公式来解释。这个象形文字是独一无二的:它属于疑问句。这个象形文字有蝴蝶的轮廓。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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