{"title":"The Charlottesville Monuments","authors":"Rodney A. Smolla","doi":"10.7591/cornell/9781501749650.003.0005","DOIUrl":null,"url":null,"abstract":"This chapter discusses the statue of Robert E. Lee that was donated by philanthropist Paul Goodloe McIntire to the city of Charlottesville in 1924. The statue depicted Lee riding his horse in a heroic, dignified pose. It also mentions another statue McIntire commissioned of Thomas “Stonewall” Jackson, who was designed by Charles Keck and set on a granite base carved with the allegorical figures of Faith and Valor. The Lee and Jackson statues embodied the “lost cause” interpretation of the Civil War, a phrase first attributed to Edward A. Pollard, a graduate of the University of Virginia (UVA) and apologist for slavery. This chapter talks about Elizabeth R. Varon, an American history professor, who describes the “lost cause” narrative as the original “false equivalency.”","PeriodicalId":112876,"journal":{"name":"Confessions of a Free Speech Lawyer","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Confessions of a Free Speech Lawyer","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7591/cornell/9781501749650.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter discusses the statue of Robert E. Lee that was donated by philanthropist Paul Goodloe McIntire to the city of Charlottesville in 1924. The statue depicted Lee riding his horse in a heroic, dignified pose. It also mentions another statue McIntire commissioned of Thomas “Stonewall” Jackson, who was designed by Charles Keck and set on a granite base carved with the allegorical figures of Faith and Valor. The Lee and Jackson statues embodied the “lost cause” interpretation of the Civil War, a phrase first attributed to Edward A. Pollard, a graduate of the University of Virginia (UVA) and apologist for slavery. This chapter talks about Elizabeth R. Varon, an American history professor, who describes the “lost cause” narrative as the original “false equivalency.”
这一章讨论了罗伯特·e·李的雕像,它是由慈善家保罗·古德罗·麦金太尔于1924年捐赠给夏洛茨维尔市的。雕像描绘了李将军以英雄、威严的姿态骑在马上。它还提到麦金太尔委托建造的另一座托马斯·“石墙”·杰克逊雕像,由查尔斯·凯克设计,底座是花岗岩,上面雕刻着“信仰”和“勇气”的寓意人物。李和杰克逊的雕像体现了对内战的“注定失败”的解释,这一说法最早被认为是弗吉尼亚大学(UVA)毕业生、奴隶制辩护者爱德华·波拉德(Edward a . Pollard)说的。本章讨论美国历史教授伊丽莎白·r·瓦伦(Elizabeth R. Varon),她将“注定失败”的叙述描述为最初的“虚假等同”。