Det store afdans(k)ningsbal?

Henrik Marstal
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Abstract

The Great (Danish) Dance Ball: Post-National Tendencies in Communal Singing Since the 1990’s, social theorists have identified a number of so-called post-national tendencies which show how the concept of the nation-state have been challenged due to, among other things, the advert of globalization. The article argues that such tendencies have also affected the culture of communal singing in Denmark during the 21st century. Even though the act of singing national songs together is still very much alive to this day, it seems that a growing number of Danish citizens have experienced a growing unease or even embarassment related to the celebration of the nation through national songs (”fædrelandssange”). Taking its departure from various approaches to communal singing, such incidents are registered and discussed in the article. This is also the case for a number of identifiable counter-tendencies, revealing a gap between the two practices of, respectively, celebrating the nation in song and distancing oneself from it. Finally, the article askes whether post-national phenomenons will prove able to challenge and perhaps alter the hegemonic nation-building discourse of communal singing in the future.
自20世纪90年代以来,社会理论家已经确定了一些所谓的后民族趋势,这些趋势表明民族国家的概念如何受到全球化广告等因素的挑战。文章认为,这种趋势也影响了21世纪丹麦的公共歌唱文化。尽管一起唱国歌的行为至今仍然非常活跃,但似乎越来越多的丹麦公民对通过国歌庆祝国家感到越来越不安甚至尴尬(“fædrelandssange”)。文章从不同的公共歌唱方式出发,对这些事件进行了记录和讨论。这也是一些可识别的反趋势的情况,揭示了两种做法之间的差距,分别在歌曲中庆祝国家和远离它。最后,文章提出了后国家现象是否能够在未来挑战甚至改变公共歌唱的霸权国家建设话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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