High-Stakes Assessment in Music

G. Nierman
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引用次数: 1

Abstract

The idea of high-stakes assessment in schools could be said to have begun with the publication of A Nation at Risk (1983). The position taken in this chapter is that music and the arts are basic subjects needed for a well-rounded education that require high-stakes assessment at every grade level. The chapter does not endorse high-stakes assessment in the sense of a single assessment that results in loss of opportunities and failure, but in the more general sense that there are major consequences to society for children not being able to think creatively, to solve problems collaboratively, and to understand themselves as human beings—all skills that an education in music and the arts provide. The chapter is written in a position paper/statement format that includes four segments to support the position statement—introduction, opposing views, supporting views, and a plan for implementation of the position.
音乐中的高风险评估
在学校进行高风险评估的想法可以说始于《一个处于危险中的国家》(1983)一书的出版。本章采取的立场是,音乐和艺术是全面教育所需的基础科目,需要在每个年级进行高风险的评估。这一章并不支持高风险的评估,因为单一的评估会导致失去机会和失败,但在更广泛的意义上,这对社会有重大影响,因为孩子们不能创造性地思考,不能合作解决问题,不能理解自己是人——所有这些技能都是音乐和艺术教育提供的。本章以立场文件/陈述的形式写成,包括四个部分来支持立场陈述——引言、反对观点、支持观点和立场实施计划。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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