Lamentations and Canon

Scott A. Ellington
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Abstract

Lamentations uses distinct voices to explore the suffering caused by the destruction of Jerusalem and exile of her people. A dialogical approach to the book emphasizes the theological tension created as the poet considers the fate of Israel’s relationship with Yahweh. This dialogue is carried on at multiple levels, within the text itself, over against the silenced divine voice, between Lamentations and other books in the biblical canon, and between the text and its later interpreters. Utilizing the language of prayer and drawing on the divine name, Lamentations centers on the question of God’s continued presence with the Israel. A faithful rendering and reception of Lamentations attends to the multiple voices of the text, respects and provides place for their varied perspectives and contributions, identifies and engages with the community they address and of which they are a part, maintains space for an unspeaking God, and guards the open-ended question which is at the heart of this troubling exchange.
哀歌和正典
哀歌用独特的声音来探索耶路撒冷的毁灭和她的人民被流放所造成的痛苦。这本书的对话方式强调了诗人在思考以色列与耶和华关系的命运时所产生的神学张力。这种对话是在多个层面上进行的,在文本本身中,在沉默的神圣之声中,在《哀歌》和圣经正典中的其他书之间,在文本和后来的诠释者之间。《哀歌》运用祷告的语言和神的名字,集中在神继续与以色列人同在的问题上。《哀歌》忠实地呈现和接受了文本的多种声音,尊重并为他们不同的观点和贡献提供了空间,识别并参与他们所关注的群体,他们是其中的一部分,为一个不说话的上帝保持空间,并保护开放性问题,这是这个令人不安的交流的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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