Funerary Imagery and Iconography

R. Gee
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引用次数: 1

Abstract

This chapter looks at Roman funerary imagery across a range of visual materials, including sarcophagi, ash chests, frescoes, mosaic, and stucco relief, with an emphasis on the expression of the existential value of a human life. It considers the diverse range of iconography that speaks to the emotions and perceptions around death as they relate to the ideas of loss, separation, and transformation. The representations cannot be interpreted in light of a single phenomenological, associative, or interpretive reception, but collectively they explore themes of mourning, pain of separation, and hoped-for reunion. Areas of consideration include commemorative portraits, the exploration of permeability and the limen between the worlds of the living and the dead, divine guides, travel through the Underworld, and the potential for images of suffering to comfort through viewer empathy or heal, in the Aristotelian sense, by means of a cathartic purge.
丧葬意象和肖像学
本章通过一系列视觉材料考察罗马丧葬图像,包括石棺、骨灰箱、壁画、马赛克和灰泥浮雕,重点关注人类生命存在价值的表达。它考虑了各种各样的图像,这些图像讲述了围绕死亡的情感和感知,因为它们与失去、分离和转变的想法有关。这些表现不能根据单一的现象学、联想或解释性的接受来解释,但它们共同探索了哀悼、分离的痛苦和希望重聚的主题。考虑的领域包括纪念性肖像、对渗透性的探索以及生者和死者世界之间的界限、神圣的向导、穿越冥界的旅行,以及通过观众的同情来安慰痛苦的图像的潜力,或者在亚里士多德的意义上,通过宣泄净化的方式来治愈。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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