Iconography and Style in Republican and Early Imperial Art (200 bce to 14 ce)

Dominik Maschek
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Abstract

This chapter identifies pertinent trends in the scholarship of late republican and early imperial Roman art, from the early second century bce to the end of the Augustan period. By looking at specific themes and case studies, such as mythological terracottas, historical reliefs, decorative marble statues from elite villas, so-called neoattic art, and honorific as well as funerary portraits, the essentially eclectic nature of artistic themes and styles across a range of media and materials is illustrated. Moreover, based upon these case studies, the chapter explores the relations between stylistic choice and aspects like class, society, and politics. From this it becomes clear that the systematic use of archaizing, classicizing, and Hellenistic styles in the late republican and early imperial period was deeply rooted in a vibrant community of commissioners and artists who acted under the influence of profound sociopolitical transformations in Rome, central Italy, and the wider Mediterranean.
共和时期和早期帝国艺术中的肖像学和风格(公元前200年至公元14年)
本章确定了从公元前二世纪初到奥古斯都时期末期,共和晚期和罗马帝国早期艺术的相关学术趋势。通过观察特定的主题和案例研究,如神话中的兵马俑,历史浮雕,精英别墅的装饰大理石雕像,所谓的新阁楼艺术,以及敬神和葬礼肖像,展示了艺术主题和风格在一系列媒体和材料中的不拘一格的本质。此外,基于这些案例研究,本章探讨了风格选择与阶级、社会和政治等方面的关系。由此可以清楚地看出,在共和晚期和帝国早期,仿古、古典化和希腊化风格的系统使用深深植根于一个充满活力的专员和艺术家群体,他们在罗马、意大利中部和更广泛的地中海地区深刻的社会政治变革的影响下行动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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