How to Use Haptic Technology in Interactive Digital Documentation of Heritage

Vladimír Hain, R. Hajtmanek, Dušan Kočlík
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Abstract

Virtual restoration of the extinct heritage is a method of reconstruction of an already destroyed work in a virtual environment. It represents a way and an opportunity to reenter the remodeled simulated space interactively and experience its contemporary atmosphere and former author expression. In addition to visual and acoustic experiences, haptic technologies represent the potential for expanding sensory perception, which is not yet sufficiently used in the architectural sector. This study focuses on defunct and endangered works of interior architecture and industrial heritage, which were significant at the time of their inception and shaped the direction of the industry. Especially in the case of cultural and spiritual heritage, we focus on interiors, which, by their short-term nature, are neither objective nor physically documentable. Selected extinct works for which there was enough data or there was still the possibility of consultation with a living author were experimentally virtually reconstructed. Using haptic technologies, we have expanded the observer’s ability to interactively analyze space and its context through User Tracking of observers. The data obtained in this way continue to help the creators of the architecture set new starting points and limits for the current creation and design as well.
如何将触觉技术应用于文物数码互动纪录
已灭绝文物的虚拟修复是在虚拟环境中对已被破坏的文物进行重建的一种方法。它代表了一种方式和机会,以互动的方式重新进入改造后的模拟空间,体验其当代氛围和以前的作者表达。除了视觉和听觉体验之外,触觉技术还代表了扩展感官知觉的潜力,这在建筑领域尚未得到充分的应用。本研究的重点是已经消失和濒临灭绝的室内建筑和工业遗产作品,这些作品在它们开始的时候是重要的,并塑造了行业的方向。特别是在文化和精神遗产的情况下,我们专注于室内设计,由于其短期性质,既不客观,也不具有物理可记录性。选择已灭绝的作品,有足够的数据或仍有可能与活着的作者协商,实验虚拟重建。通过使用触觉技术,我们通过对观察者的用户跟踪扩展了观察者互动分析空间及其环境的能力。以这种方式获得的数据继续帮助体系结构的创建者为当前的创建和设计设置新的起点和限制。
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