Ancient Greek Pitch Accent, Not Stress*

Chris Golston, C. Paulsen
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引用次数: 1

Abstract

Ancient Greek accent involves both stress and tone (Allen 1973, Steriade 1988). We present here a new piece of evidence for the details of the tonal part, based on a lowering process whereby a H tone on the final TBU of a word lowers if the word is followed by another tonic word: H...H → L...H. This is essentially what is reported for Rimi, a Tanzanian Bantu language, where HH loses the first of its H tones (Olson 1964, ‘Anti-Meeussen’s Rule’). If correct, this motivates three tonal classes in Ancient Greek: HL* in words like basiléˈàà ‘king.acc’ (Sauzet 1989, Golston 1990) and two additional classes, H*L in basiˈléù ‘king.voc’ and H in basiˈleús ‘king.nom’. 
古希腊音高重音,不是重音*
古希腊口音包括重音和语调(Allen 1973, Steriade 1988)。我们在这里提出了一个关于音调部分细节的新证据,基于一个降低过程,即如果单词后面跟着另一个主音单词,那么单词的最后一个TBU上的H音就会降低:H…H→L…H。这基本上是在坦桑尼亚班图语Rimi中报道的,HH失去了第一个H音(Olson 1964,“Anti-Meeussen规则”)。如果正确的话,这就激发了古希腊语中的三种音阶:HL*在basil [àà] king这样的词中。acc ' (Sauzet 1989, Golston 1990)和另外两个类,H*L in basi [léù ' king]。voc '和H in basi ' leús ' king.nom '。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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