Resetting Power structures in Rosemary Ekosso’s House of Falling Women

Nchia Florence Mbi
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Abstract

The paper, entitled “Resetting Power Structures in Rosemary E. Ekosso’s House of Falling Women” has as objective to analyse the objective presentation of the woman, her experiences and responses in an African and European setting. Life is meant to be enjoyed and celebrated in its wholeness, but this is not often the case because of some barriers and assumed ideologies set aside as fixed rules for the majority to follow. As such, some characters either follow the crowd, succumbing to the prescribed way of life whether they find it comfortable or not, while others categorically carve out their own unique path to follow based on their sense of self and individualism, while shunning all negative criticisms. This paper contends, that Ekosso’s heroine is a pathfinder for many caged women who live unfulfilled lives due to patriarchal norms which for the most part are not in their favour. As concerns representation and resistance, Edward Saïd in The Introduction to the Post-Colonial Studies Reader explains that “Feminism and its intersections with both colonialism and post-colonialism is necessarily about representation and resistance” (85). The theories are chosen because they share a common ground on power relations and resistance to forms of oppression based on historical fact.
罗斯玛丽·艾科索《堕落女人之屋》中的权力结构重置
这篇题为“在罗斯玛丽·e·埃科索的《堕落的女人之屋》中重新设置权力结构”的论文客观地分析了这位女性的客观表现、她的经历和在非洲和欧洲背景下的反应。生活应该被完整地享受和庆祝,但由于一些障碍和假设的意识形态被搁置为大多数人遵循的固定规则,情况往往并非如此。因此,有些角色要么随大流,屈从于规定的生活方式,不管他们觉得舒适与否,而另一些角色则根据自己的自我意识和个人主义,明确地开辟出自己独特的道路,同时回避所有负面批评。本文认为,艾科索的女主人公是许多被关在笼子里的女性的开拓者,她们由于父权规范而过着不充实的生活,而父权规范在很大程度上不利于她们。关于再现和抵抗,Edward Saïd在《后殖民研究读本导论》中解释道:“女权主义及其与殖民主义和后殖民主义的交集必然是关于再现和抵抗的”(85)。之所以选择这些理论,是因为它们在权力关系和基于历史事实的压迫形式的抵抗方面有着共同的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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