René Laloux’s vision of Ecotopian AI: Exploring the Ecosystemic AI through Fantastic Planet

Amar Singh, Shipra Tholia
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Abstract

Some recent experiments with AI, such as MIT’s psychic AI Norman, Microsoft’s Nazi Tay, Amazon’s 2016 racial fiasco of Prime program subscribers, and many others, have exposed the vulnerability of developing AI solely based on human experiences. Such development shall only serve the anthropogenic causes (that too gendered and racially motivated), neglecting the interests of other species. However, ecosystemic artificial intelligence provides an alternative approach where AI interacts and learns from a broad community of species. Learning as such AI adapts itself, privileging the coherence and unity that an ecosystem demands. René Laloux’s animated film Fantastic Planet (1973) focuses on this ecosystemic interaction of AI. The film highlights the positive changes that can be brought in subdued communities when engaged with AI, leading to engendering harmony. René Laloux’s conception of AI comes with the idea of how it can serve in assimilating the marginalized sections within the mainstream by empowering them. This paper delves into examining the situations that the film brings forth, which becomes vital in understanding our relationship to the earth at present, and our role moving forward into the future.
ren Laloux对生态乌托邦AI的看法:通过《神奇星球》探索生态系统AI
最近的一些人工智能实验,如麻省理工学院的通灵人工智能诺曼、微软的纳粹Tay、亚马逊2016年Prime会员的种族惨败,以及许多其他实验,都暴露了仅仅根据人类经验开发人工智能的脆弱性。这样的发展只会服务于人为的原因(过于性别化和种族化),而忽视了其他物种的利益。然而,生态系统人工智能提供了另一种方法,人工智能可以从广泛的物种群落中相互作用和学习。人工智能这样的学习可以自我适应,赋予生态系统所需的连贯性和统一性特权。雷诺·拉鲁的动画电影《神奇星球》(1973)关注的是人工智能的生态系统互动。这部电影强调了当与人工智能接触时,可以给压抑的社区带来积极的变化,从而产生和谐。ren Laloux的人工智能概念提出了一个想法,即人工智能如何通过赋予边缘化群体权力来同化主流群体。本文深入研究了电影所带来的情况,这对于理解我们目前与地球的关系以及我们在未来的角色至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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