Deus ex machina

Abstract

Spaces organised around the practice of “making” are becoming an increasingly frequent sighting in cities around the world, in particular in Europe and North America. These “makerspaces” tend to provide access to a variety of equipment, including 3D printers, laser cutters, computer numerical control (CNC) machines, soldering irons, and even sewing machines, to feed the recent wave of do-it-yourself (DIY) culture. In the emerging literature, however, these spaces are portrayed as much more than merely a new locus for craftwork and urban social encounters. They have become the focal point for a growing discourse that claims urban economies of the future will be radically different from those of today and yesterday. In this discourse, the spaces are acclaimed as the driver of a fundamentally alternative mode of production, with its own distinctive spaces of work, and the potential to reinvent the industrial economy, the city, and urban governance structures.